الجزارا فارسی
روایت خاورمیانه 
Theatre, an art that has been recognized over the centuries as a medium for expressing ideas, emotions, and social critiques, has always undergone changes and transformations. But have you ever thought about the history of proscenium theatre? Dominic Drumgol, the renowned director and writer, addresses this topic in his new book titled 'Time Frames' and shows us how this theatrical form has acted as a revolutionary platform for bold performances.
An Intriguing History from 1865 to 1965
In this book, Dominic Drumgol examines the years 1865 to 1965, a time when proscenium theatre was at its peak. By analyzing over 70 playwrights, he reminds us how theatre can provide a limited yet free space for creativity through a proscenium arch. This theatrical form, which may seem restrictive, is actually a kind of 'liberator'; just like a 14-line sonnet or a 12-bar blues.
Drumgol remarkably defends this form and believes that this arch holds a world of possibilities within itself. With a special enthusiasm, he reminds us that while today we face open, round, and diverse stages, theatre at that time was more confined within these arches.
Bold Experiences from Chekhov to Brecht
The book 'Time Frames' not only addresses the history of theatre but also looks at the works of theatre greats like Anton Chekhov and Brecht from a fresh perspective. Drumgol reminds us how these writers, by utilizing the limitations of the proscenium form, were able to bring bold ideas to the stage and challenge audiences.
Ultimately, by writing this book, Dominic Drumgol reminds us that the history of theatre is not just a dry and soulless history, but a world of creativity and experimentation that can still inspire us. This book is not only essential and captivating for theatre enthusiasts but for anyone interested in art and history.
